in Amsterdam I like to stop by from time to time. If you walk all the way south on
Kalisvaart Street and turn left at the end of the road, you will find a small,
broken tombstone that lies towards the east end. It should look just like the
others. In a weird way, it does not.
drown the suffocating combination of fear and anguish that was making my
stomach turn. I asked for a pint of the local beer, but was brought the
equivalent of warm piss instead. It’s fucking white beer… Won’t send it back,
however.
I just asked for the menu, hoping for the biggest chunk of grease
available. Found only apple pie. I escaped America only to be hit by a poor
Dutch version of apple pie. Won’t send it back either. Over the years, I’ve
learned that things never go my way. I’m used to making lemonade off the sour
answers life always gave me.
born, my father took a sabbatical as sergeant from the military to join the
circus for a few years. He was a violent alcoholic who barely fit within
army ranks. With no work records or permanent residence, he was able to avoid
the draft and impregnate a few of the staff girls. The juggler, the
knife-throwing model, the trapeze girl… Even the tiny Jewish girl that washed
clothes, picked animal manure and helped with collecting the tickets fell
victim of the sergeant’s silver tongue.
felt special; cared for when he was with her. Often humiliated by friends and
strangers, she felt that the sergeant was the only man that saw her for who she truly was.
Hell, he was the only one that saw her as a woman despite her hunchback,
crooked yellow teeth, midget figure. He made her feel like a person rather than the
piece of odd furniture nobody knows what to do with.
company’s rye bread. Who had been able to look past little Masha’s physical ugliness? She kept the name a secret, though all suspicion befell the sergeant.
her entrails from delivery complications and wound infections. It is a miracle
I survived. Come to think of it, it was actually a curse to stay for so long in
this world. My birth left no doubts regarding the sergeant’s rendezvous. Still,
he denied any responsibility or connection with my existence. I was raised by
the ladies of the circus. The juggler, the knife throwing model, the trapeze girl;
they were my family. More accurately, they were the closest I had to one, as
they’d never let me forget I was an outsider; nothing more than a charity case
to be cast away as early as I turn 16. I had to win them over at all times,
never taking anything they gave me – food, attention, advice – for granted.
This is how I discovered my innate talent for making people laugh. I thought so
little of myself, self-deprecation came naturally. Mix my own feelings of
inferiority with a smile, add a comedic twist and… eureka! The formula worked
every time.
It never changed. It never had to.
comedic routines. Armed with a witty mind and keen observational skills , I was
the life of the company’s gatherings since I was twelve. To me, the absurdity of daily life rarely went unnoticed. Nothing and nobody escaped my sharp eyes
and vigilant ears. Anything you said or did, I could turn into a joke and you would find it funny.
The trick is that you would not ever get offended. It is me that is making fun
of you, and I’m clowny Joe. Nobody takes me seriously. Nobody should. If anything,
I inspire compassion. I’m a massively skinny kid, with arms too long for my
body and crooked yellow teeth. I have always had only one functioning eye, the other a useless,
wandering pupil in an ocean of grey. I’m the epitome of the circus orphan if there’s ever
been one; the dark child who would pray for a road accident to escape reality.
sometimes beat me up for no reason other than fighting boredom. My looks had much to do with their attitude towards me. We often
get violent towards the things – and people – we find too different, to the point of being repulsive. The last time
they did it, I was in a pretty weird mood. I made all kinds of silly noises and
sardonic remarks while their fists met my body.
time like you mean it”
to me”
unable to contain their laughter. Over time, the beatings stopped. We became
good friends. Later, I turned into “idea man”; them into my henchmen in a new
era of circus havoc. Conning unsuspected patrons, robbing wallets, touching
women inappropriately while in the crowd; all this came naturally to the Porky
Foursome, as this group of kids used to being rejected by society became known
in the company. We were the unwanted children of the circus, despised within
our own circle.
animal people. Best case scenario would be to become the lion tamer. The others
were doomed to backstage training, feeding and manure shoveling; just like my
mother. That is not me, however. I had no mentor. I had no parents. My future
was in my prematurely wrinkled hands, and no one else’s. And nothing felt as
fitting as a career in comedy. The circus clown was born this way.
comedic fillers between circus acts. After I agreed to a few unspeakable
favors, he decided to let me try my luck with a rather hostile public. I had to
be strategic – gather attention, keep the audience interested, then deliver an
effective punchline quickly. Over the years, jokes evolved from the original
self-deprecatory to the observational, to the clever, to the ironic, to the
morbid, to the ultimately morose. Physical comedy gave way to intelligent, eloquent
delivery touching upon subjects relevant to the adult, educated population that
started to come to the show after word of mouth did its thing. Social issues,
political environment, anal warts, plastic surgery, gender roles, religion…
With me nothing was sacred; nobody was safe. Word of mouth did its thing.
Eventually, the MC asked if I wanted to have my own act. I recruited the two
shit-shovelers for a few months, but they couldn’t take it much longer than
that. A lifetime of squeezing laughter off your personal misery gives you very
thick skin. Some people are just born to shovel shit.
them in my mind. Then, I categorized them. Initially, this process took place
inside my brain. There was no record available of my routines. Then, I started
to worry. A penchant for heavy drinking started to make my memories blurry. I
got scared. What if I started to lose my material? This is all I have. This is
what I am. But I also can’t just put them in writing and leave them to be
stolen. What to do?
and got an idea. I asked to borrow one of the thinnest, sharpest knifes she had
and used it on my skin. A bit of heat, some ink from the ticket-printing
machine, and I got myself a rudimentary tattoo artist’s tool. My body was
always with me; nobody could steal it. It was the perfect oleo for my records.
And so it began. Over the course of three years, I covered every inch of my
skin with words and symbols; they were all idea kickers for a joke. Towards the
end, my skin had become a carefully designed summary of everything I was; of
all I was. Clown makeup was not enough to cover all my tattoos, so I became
known as “the tattooed clown”. The company started to get known as “the circus
of the tattooed clown”; my little, temporary piece of stardom in an otherwise
hellish life.
not intoxication by lead-based ink. I fainted at the end of an act once, and a
doctor in the audience came to see what was happening. Back then, nobody knew
lead could be so dangerous. Memories kept getting blurrier. I lived off the
writings on my skin; a practice that came with a high price tag. Routines
became predictable, mostly scrapped from what I had written on my limbs. The MC
noticed. Then the public noticed…
argued. Bad timing on his part, for I was drinking all afternoon. As he turned
away screaming I was out, I took the tattooing knife and stabbed him in the
back for what felt like a million times. He tried to face me, which resulted in
the knife meeting his cheek, then his eye, then his throat, then his other eye…
There was so much blood covering us both, it was hard to know who was stabbed
and who wasn’t. I ran to my tent, washed the blood off, picked up my few
possessions, and left to never come back.
that evening. It is unusual for boats to leave the port after sunset, but the
city had seen a few storms lately and departures were frequent. A scrawny man
covered in tattoos with a bad eye is not uncommon in the area. Also, several
sailors had gotten lost in the arms of the damsels of the local brothels during
the storms. Supply and demand law did its part, and a few minutes later I found
myself aboard a slow vessel carrying American products to the old world. I
disembarked weeks later in Rotterdam, but found the city too clean. The
country’s dirt concentrates in Amsterdam. Naturally, I made my way to the
European city of sin.
I remember it all wrong. Much of it could be a figment of my imagination,
except the tattoos. They are here with me as I write this, held together by the
sweet embrace of Dionysius. I look at the ink and it stares back at me; my
slow, beloved assassin.
died. My clothes had no tags. I threw all forms of identification into a
bonfire the night after I made it into Holland, but I forgot to check the
internal compartment of the jacket I was wearing. In it, a ticket with the
title “The Circus of clowny Joe” was found by the police.
sometimes buries the body of unknown people as a form of charity in their land.
If you walk all the way south on Kalisvaart St., then turn left at the end of the street, you will find a small, broken tombstone that lies a bit to the left.
It reads:
? – 1987
purpose in life.